This is an absolute reference-level Black&White preset. So many other looks are too contrasty or otherwise too...extreme. This has the subtle grays that are hallmarks of the Monochrom, and while good as-is, the color filters add realistic tones, and it can be a great launchpad for your own stylistic edits. All the edits I have made to these's were with the preset only, besides cropping and exposur...

If you are looking and don't know where to start with Very Good Presets, start here. This one is just soooo gooood, and most importantly completely versatile. When you want "filmic" but don't want it to have such a "look" this is it. It takes what you shot, and tempers everything, giving it some vibe, and a *definite* film quality, but, but doesn't mess with your colors like many emulations do (s...

This is one of my starting point edits for getting the look I love in so many settings. Just like the OG film stock, if I didn't know what I was going to need to shoot, I just loaded this in. This is my everyday look right here, and I can get it faster with this preset pack than anything else I have tried, with modifiers that really get the big tweaks out of the way quickly. Many of these K200 lo...

I love Portra, but hate Portra film emulations.... until this one. They are always too pink, or too saturated in weird colors, and I end up spending more time fixing them than I would have if I just did it myself every time. This pack nails all the subtleties, and isn't too magenta, or with those yucky greens I see on many film-a-likes. No presets are really one-click, but these are FAST to get to...

These are are awesome for starting a film like edit that is extremely natural looking, and very realistic. So many of these film emulations look overblown and Instagrammy. These behave more like film does, (they aren't just flat and matte, and they aren't just green-tint.) They use the built in Adobe Profiles, which is great for two reasons: one, they work for every camera, and work great on Lig...